The Gildas quartet performing Hackbarth's Liquid Study 1 in the VG&M Cafe.
Hyperions v2 at TENOR 2016
John Kenny performs Fairclough's piece Lifeline for trombone, video processing and computer sound.
The Pixels Ensemble performs Hackbarth’s piece Dot Matrix Dialect written for Ian Buckle (piano and director of Pixels), Jonathan Aasgaard (cello) and Julian Warburton (percussion).
Dither performing GENIV
The LA percussion quartet performing Hackbarth's piece Am I a Particle or a Wave? in 2013.
Hackbarth's Open End for vibraphone and electronics performed by Diego Ventoso Fernandez with dancers Sabela Adalid and Esther Latorre choreographed by Alba Felpete in Lugo, Spain.
The Aleph perform in conjunction with Liverpool Music Week.
Frontier @ Carnegie Mellon
Setting up for Cellotronic Games
The student laptop ensemble, led by Oli Carman, perform music alongside Simon Jones on violin and Ben Hackbarth on spatialised computer sound.
The Gildas Quartet performing George Crumb's Black Angles
screenshot of Frontier
Andy Shepard performing an original score to a silent film with pianist Joanna MacGregor
The Elysian String Quartet perform a work by Pauline Oliveros
Plurality Spring premiere at Open Circuit 2017
Jody Burgess' setup for a lunchtime concert including Xenakis' piece Psappha.
The RLPO's ensemble 10/10 performing a work by Matthew Fairclough
Birtwistle works the the RLPO's pianist Ian Buckle when rehearsing Secret Theatre.
Oliver Coates' setup for a performance of new works in the VG&M cafe
The RLPO's ensemble 10/10, led by Clark Rundell, performs music by Birtwistle in Open Circuit 2016.
The RLPO performs students' work at Theatre 2 in FACT.
The Pixels Ensemble performing Carter’s Sonata for Cello and Piano in Open Circuit 2016.
John Kenny's Carnyx, modeled after Scotland's 2,000-year-old Celtic Boar-headed horn